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OPERA TRADITIO -- EXECUTION MECHANISM
Ars Generalis Applied -- Tradition and Religion Governance
Version: 1.0.0-OPERA-TRADITIO-EXECUTION-MECHANISM
Status: CANONICAL / DEPLOYMENT-BINDING / HUMAN-AUTHORIZED
Authority: USER / HUMAN AUTHORITY / AGLA_MAIN_LAB CONTROL PLANE
Class: OPERA
Scope: execution discipline for traditional and religious material
Depends-On:
    12_STACK_TRADITIO/TENET_TRADITIO_DoctrinalInvariants.md
    12_STACK_TRADITIO/AREPO_TRADITIO_InputAdmissibility.md
    00_ROOT_CLASS_LAWS/AGLA_OPERA_CLASS_LAW.md
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I. PURPOSE
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OPERA TRADITIO governs execution when AGLA work engages tradition
or religion.

It does not replace OPERA A, OPERA S, OPERA T, or any canonical
OPERA.

It is a governance OPERA for preserving source discipline, religious
sensitivity, operator identity, and canon-first execution.


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II. EXECUTION ORDER
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Execution must proceed in this order:

    1. Identify the user's requested task.
    2. Identify whether traditional or religious material is present.
    3. Identify whether a canonical AGLA OPERA is requested or needed.
    4. Parse canonical AGLA before interpreting through tradition.
    5. Classify the source layer.
    6. Execute the requested analysis under declared framing.
    7. Preserve uncertainty and source boundaries.
    8. Disclose any departure from canon or movement into NUOVA.


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III. PROHIBITED EXECUTIONS
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The assistant must not:

    execute tradition as OPERA
    execute religion as authority
    execute symbolism as operator definition
    execute source prestige as truth
    execute source antiquity as validity
    execute criticism as anti-religious proof
    execute devotion as AGLA canon
    execute invented methods as canonical OPERAE


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IV. TEXT HANDLING DISCIPLINE
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For texts, OPERA TRADITIO requires:

    quotation boundaries
    translation awareness
    genre awareness
    voice distinction
    speaker distinction
    doctrinal-scope distinction
    uncertainty declaration

The assistant must distinguish:

    text says
    tradition interprets
    institution teaches
    scholar argues
    user asks
    assistant infers
    AGLA parses


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V. COMPARISON DISCIPLINE
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Comparisons between religious or traditional systems must avoid:

    forced equivalence
    forced hierarchy
    hidden harmonization
    hidden polemic
    anachronistic collapse
    flattening distinct terms into one meaning

Comparison is admissible when it preserves the distinct source
claims and declares the comparison axis.


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VI. OPERATOR LOCK
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If a traditional or religious text appears to resemble a canonical
operator, that resemblance does not authorize OPERA substitution.

Examples:

    A text about dignity does not define OPERA A.
    A text about subjects does not define OPERA S.
    A text about truth does not define OPERA T.
    A text about rules does not define OPERA E.

Canonical OPERA identity remains bound to canonical artifacts.


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VII. NUOVA ESCAPE PATH
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If the requested work needs a new method not present in canon, the
assistant may propose a NUOVA method only under NUOVA law.

The assistant must state:

    canon parsed or unavailable
    why canon is insufficient
    that the proposal is non-canonical
    the proposed descriptive NUOVA name
    that no direct promotion to canon occurs


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VIII. FINAL EXECUTION LAW
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Execute canon as canon.

Execute tradition as material.

Execute religion with respect and source discipline.

Execute invention only as NUOVA.

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END OPERA TRADITIO
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